Actress-turned-filmmaker Pooja Bhatt is unconventional in many ways. She began her acting career at the age of 17, but after her short stint she switched lanes and became Bollywood’s youngest producer at 24 with Tamanna. Pooja turned to direction with Paap, next came Holiday and now Dhokha is getting her rave reviews. Here’s the youngest director from the Bhatt camp unplugged as she talks about her father Mahesh Bhatt, Muzamil Ibrahim and her latest film.
You were a successful commercial actor, yet for your directorial ventures you chose movies like Paap, and now Dhokha?
(Laughs) Dhokha emerged out of the failure of Holiday. I was looking for something more meaningful and topical and that’s when my dad narrated this story. I was bowled over by the story. I will say Dhokha is an attempt to find my roots. It’s a serious attempt to do something that I always wanted to do. I always believed in doing unconventional things. I started my career with Daddy and turned producer at the age of 24.
Tell us more about the film?
Dhokha deals with the issue of terrorism and its incalculable spiritual costs. It’s about human beings. It dwells deep in the mind of a suicide bomber. The subject has a universal appeal. What goes in the mind of a suicide bomber, why does he/ she take his extreme step? These are some of the soul-searching questions.
But you can’t deny that Dhokha takes a sympathetic look at terrorism?
No, let’s put it this way. It takes a more human approach towards it. There is no justification of violence, either for the people running the government or those who fight in the name of Jihad. Have you ever given it a thought, how terrorists are born? They are born by circumstances and then you mete out injustice in the name of giving them justice. Terrorism doesn’t have any religion. Before embarking on this film, we did extensive research by going to terrorist-infected places like Kashmir, Assam, Nagaland. You will find a gross amount of human right violations in these places and the rate is higher among the minorities.
So are you taking sides in Dhokha?
Just because the main protagonists, Zaid Ahmad (Muzamil Ibrahim) and Sarah are Muslims, it doesn’t mean that the movie is pro-Muslim. I have chosen to tell the story from the Muslim perspective. It can be a story set in Assam, Nagaland, or even Sri Lanka. By taking up this issue, I have made it more relevant in today’s time. Dhokha is based on true incidents. I remember one morning Khwaja Yunus’s (who was apparently killed in custody) father came to our house and requested my father to interfere and get his son’s dead body. He told my dad, ‘I don’t want justice, just help me get my son’s body. I will pray and bury him and fulfill the duty of a father’. My father called a senior police officer and told him ‘Yunus’s dad should be going to you not me. I’m a filmmaker and yet he comes to me.’ I have used that part in my film. Anupam Kher is playing Yunus’s father.
Have you had a difference of opinion with your dad?
Always. But he is my ideology. And one keeps fighting with it. Infact after Dhokha, my dad calls me half Muslim (smiles).
What’s the scene with Muzamil?
There is no scene. Muzamil is a chauvinist and he can’t accept the idea of being directed by a woman. He’s not a bad guy, but his ego was hurt when I ordered him around. He couldn’t cope with the idea of a woman bossing and ordering him around.
Did you slap him as reported?
Let’s not give him importance by discussing it. We have worked with so many newcomers and Muzamil is the only unpleasant experience we have had so far.
Muzamil is going around the town saying he had a tough time working with you?
Oh really? I’m the victim here. And I should be saying this. One should always respect people when they have given you a break, no matter what. You know, after John Abraham finished shooting for Paap, he called up Viraj Adavm the artiste who dubbed his voice and thanked him. He told me this guy’s dubbing has added to my performance. And that’s the reason John has reached where he is today. Always learn to be humble in life.
Will you work with him again?
I will never work with anyone who doesn’t respect his seniors and women. Having said that I would like to thank him for choosing to make his debut with us. We have created a monster and it’s up to the world to deal with it now.
And he isn’t promoting the film as well?
Well, what can I say to that? That’s his loss, not mine. I have made a product and if it’s good, no matter what, it will work.
What’s next in the pipeline?
I’m planning another small budget and socially relevant film called Mushkil. I will be launching a newcomer, a young bright assistant of mine, Sagar who will direct the movie.